Tuesday, August 26, 2008

Attitudes

The following is taken from my Romantic Literature's syllabus. It's going to be a good semester.

...
Attitudes
1.
The Politically Correct (products of secular relativism) and what might be called the Pharisaically Correct (products of religious legalism) share some characteristics, including the following:
a. They sometimes ignore reason due to an excessively earnest pursuit of their ideology.
b. They sometimes distort or censor language in order to impose their ideology on others.
c. They often lack a sense of humor or irony.
In this course, let us try to avoid being either kind of PC.
...

Thursday, August 21, 2008

Transitional Sentence (or Blog)

Dear Readers (Ruf),

Tomorrow the freshmen come. For anyone unaware, I'm a PA (RA) at Taylor University this year. The arrival of the freshmen more or less signifies the beginning of my job as PA and really, as the beginning of the year. The past week has been filled with PA bonding and training time but now the practice is put into use.

I like Taylor's ResLife program. One reason: today (the last day before move in day), we had two hours of 'reflection time' or whatever you want to call it. Basically, two hours to sit back, read, journal, pray, etc. Something hard to come by with such a busy week of planning, decorating and such.

I don't really have anything significant to say in this blog other than that it feels like a transitional time moving into this small role of leadership, beginning my senior year, and moving back into academia after a summer of care free abandon.

I wish you all (Ruf) a fantastic fall and ask for your prayers as I am a human with much wisdom yet to be gained.

-JH

Sunday, August 10, 2008

été 2008

les films
(j'ai évalué des films, 1-10)

chronicles of narnia: prince caspian 5.5
i am legend 6
wristcutters: a love story 7
baby mama 5
click 6.5
about schmidt 8
the bridge 4.5
indiana jones and the kingdom of the crystal skull 7
chumscrubber 4
as good as it gets 6
pollock 7
gangs of new york 8.5
billy elliot 8
little children 8.5
mulholland dr. 7.5
adaptation 9
monster's ball 8.5
shakespeare in love 6
sideways 6.5
erin brokovich 8.5
the virgin suicides 8.5
chicago 8
for the bible told me so 7.5
the insider 8.5
the english patient 7.5
get smart 5.5
dogma 7.5
[40 rock: season 1]
[extras: season 1]
wanted 4
be kind rewind 7
elizabeth: the golden age 7
away from her 8
in bruges 8
the green mile 8
hancock 6
the godfather: part II 8
before the devil knows you're dead 7.5
the full monty 7
the dark knight 9
the thin red line 7
ghost 6.5
[extras; season 2]
quiz show 7.5
schindler's list 9
dances with wolves 7.5
pulp fiction 8.5
old school 6
jerry maguire 7
the air i breathe 5
il postino 6.5
4 months, 3 weeks, 2 days 8
love actually 5.5
sweeney todd 8
witness 6.5
kinsey 7
pineapple express 5.5
the orphanage 8
wallE 8

les livres
everything is illuminated .. jonathan safron
dress your family in corduroy and denin .. david sedaris
the road .. cormac mccarthy
the virgin suicides .. jeffrey eugenides
the poisonwood bible .. barbara kingsolver
i sold my soul on ebay .. hemant mehta
jesus for president .. shane claiborne
do you believe? conversations on god and religion .. antonio monda
passion for jesus .. mike bickle
tree of smoke: a novel .. denis johnson
people's history of the united states .. howard zinn (1/4)
the kite runner .. khaled hosseini
american pastoral .. philip roth
falling man: a novel .. don delillo
on the road .. jack keroac
a thousand splendid suns .. khaled hosseini
the feast of love .. charles baxter
me talk pretty one day .. david sedaris
god is not great .. christopher hitchens

Friday, August 8, 2008

Christopher Hitchens and His Book




I just finished reading Christopher Hitchens' book, god is not Great. The book was published sometime last year (Wikipedia: May 1st) and sold real well and is a part of the "New Atheism" movement and catches your eye because the cover is yellow. I read it because no one likes those people that bash on a book/person when they are uninformed (i.e. The Golden Compass - do you really think any of those Christian bloggers out there had actually read the book?). Plus I thought I might pick up some ammo to use against mainstream evangelical Christianity because c'mon, let's be honest, being all emerging church is sexy.

A brief outline of the book can be found here (thanks again Wiki),
but if you're looking for my words, Hitchens basically tries to bash every religion for every evil thing they have ever done including (but not limited to) genocide, limitation of thought, mistreatment of women and children, the banning of medical treatment, and so on and so forth. Then he points to how atheism is the logical, scientifically proven option for humankind where we are evolving out of this mystical madness that made sense for peasants hundreds of years ago but now that we have the internet and front loading washing machines, it's rather absurd that we spend so much time on religions that do nothing but harm mankind.

About half way through the book I thought to myself, "he's trying to take on a whole lot of stuff." Now The New Yorker calls him an "intellectual" on the back cover so yes, it's true he is smart. But even my limited knowledge (well, I guess I go to a Christian school...) found a number of things that I could pretty easily answer to. Then again, he brought up some things that I agreed with him on. But the point being, you cannot "disprove" every religion in a matter of 300 pages.

A lot of the Christian church's past has been pretty screwed up. The Crusades, using scripture to support slavery, the Inquisition, not allowing women to do anything, etc. What I'm not totally sure of is why Hitchens cannot grasp the idea that Christians renounce these things today. He argues that the religion itself changes and therefore, is unreliable. But that's just incorrect. As we better understand the Scriptures, the closer we come to what Jesus describes as the Kingdom of God. Now I'm sure the church is far from being perfect but I think it unfair to discount the presence of a god because of the mistakes and misinterpretations its followers have made (although that only highlights the weight our decisions as a universal Church hold).

(As I was reading god is not Great, I was re-reading Rob Bell's Velvet Elvis. This was a good co-read. The beginning of Velvet Elvis looks at Christianity as constantly being "repainted" by its followers. From the doings of the early Church to the meetings to decide what would be included in the "official" Bible, to the constant interpretations of Scripture, Rob explains our responsibility as Christians is to constantly be understanding what the Bible is saying for us today. This aided in my understanding of past church mistakes.)

In addition to the critique of past offenses, Hitchens says that the church is currently harming its members. He uses the example of Jesus' messages of loving thy neighbor or committing adultery in one's heart. In these messages, Jesus is furthering the commandments to move them from simply physical actions to heart conditions but Hitchens sees it as a micro-management that the church uses to shame their members. I think he's misunderstanding the messages in the same way that some church leaders might. He simply sees them as rules instead of as to an invitation to join something better. I think most the larger majority of Christians today understands this and to be frank, Hitchens misunderstands a lot of the details.

In covering practically every religion, he also seems to group a lot of religions together. One example of this would be his medical chapter where he claims that circumcision of every kind is grotesque and evil of a religion to require. He obviously points out Judaism and how awful this was for the males. Now maybe this has something to do with him being born in the UK but circumcision is fairly common in the States (with the uncircumcised usually being the minority) so I didn't really see his point there but then he seamlessly moves onto female circumcision (which is practiced in some African cultures). Female circumcision on the other hand, is a horrible practice that is not really accepted anywhere except for these remote cultures and it is forced onto girls. This is only one example but when attempting to make points, he seemed to pick and choose from varying religions and then claim it as a defect of all religion (which is really unfair to the innocent parties).

Perhaps the point I don't understand the most is how he pits Religion vs. Science. OK, the church thought the earth was the center of the universe. There's been a number of other bad moments in the church when it comes to denying scientific progress, but there are scientists out there that believe in God. There are those that believe in Intelligent Design in the strictest of sense (which would go against the majority of science believed today) but there's just as many that believe in a Theistic Evolution approach to the earth's beginning. The pursuit of religion and science is easily (and done best) when done together.


Those are my rantings. I sort of sound like a fundamentalist. That's not sexy at all... although I do have one "Evangelical Critic" comment to make. As I read Hitchens' critiques of other religions present today I repeatedly thought to myself that if this were a Christian author just trying to disprove other religions, the Christian mass would eat this stuff up and make it a best seller a la Left Behind. Throw in an atheist and a Christianity critique and the author receives death threats. What little difference between our "enemies."

Monday, August 4, 2008

Me . And Blood

Me update: I return to school in 9 days. That is one crazy thought. But I'm ready and excited for the upcoming year. Adding up PA duties, IFC, and 17 credits should result in a fairly hectic fall schedule but for as much as I complain and "hate" being busy, it's so great being at school. I'm going to have to do some major adjusting for post college life.


As I've repeatedly mentioned before, this summer has been filled with an overabundance of movie watching. Last night I re-watched There Will Be Blood with the Hallings and my little brother and I was reminded of why movies are made. This little P.T. Anderson gem showcases Daniel Day Lewis doing what he does best but you already know who's in it. What I concretely realized while watching it last night was that this particular film was structured very much like a novel. Now that's a quasi-stupid statement considering it is indeed based off of Upton Sinclair's novel, Oil! but what I mean by that statement is that while watching the movie, the pacing and unfolding of the plot is novel-esque.

Something movies do is speed up the pacing in order to sell tickets. Which is understandable. As I mentioned in my last blog, no one wants to watch a movie that's longer than it should be. But I felt that in There Will Be Blood, much more attention is given to the few events that happen and the viewer is allowed to chew on the themes of the movie while actually watching the movie - like a novel. Watching Daniel Plainview become consumed with greed, comparing Daniel with Eli the preacher, or anticipating H.W.'s response to all that he is put through are all themes easily identified if it were a book. Believe me, I'm a Literature Minor (that was a joke). I thought P.T. gave us a movie with a different pace which has allowed for me to give it much more thought than most the movies I've seen. Kudos.

(Oh, I haven't read the book, Oil!, so I'm making no comment there.)

Saturday, July 26, 2008

It's [been] too long

I started the summer off with grandiose plans of writing piles and piles of fantastic movie/book reviews or thoughts that stemmed from them. The common human function of failure is beautifully displayed here. So I will ashamedly try and get back into things by transcribing a rant describing a pet peeve of mine being tested this weekend.


I love [good] movies. If there is thought put into a film and it shows on screen, that's beautiful. It speaks to humanity in ways other art mediums cannot. I even love a good summer blockbuster if it's done well (e.g. Dark Knight) although most of the time they're just put out there for the money (e.g. Hancock). One of my top frustrations I have with summer blockbusters, and really all films, is when they run too long. Here are my expectations with a few examples (and I feel they are at least moderately reasonable):

  • Cartoon/CGI Film: 80minutes-110minutes.
    • (WALL.E, 98minutes), (Kung Fu Panda, 92 minutes), (Aladdin, 90minutes)
  • Comic Book or Summer Blockbuster: 90minutes-140minutes.
    • (Spiderman, 121minutes), (X-men, 104minutes), (The Bourne Ultimatum, 115minutes)
    • I gave leniency here - case in point: The Dark Knight filled its 152 minutes very well.
  • Epic or Heavy Drama: 100minutes-180minutes.
    • (LOTR: Fellowship of the Ring, 178minutes), (Saving Private Ryan, 170minutes), (No Country for Old Men, 122minutes)

OK, I may have gone into a little too much detail there but that's how I do. All that to say, when a movie largely steps outside of these time limits they better have good reason. I, in no way, want to stifle a director's artistic vision of making a film how they see fit but there's also an audience that has to watch. There's a happy medium that must be treaded upon by directors (and editors) in this time length arena (as well as a number of other aspects of film making).

Moving to this weekend: I am a sad and lonely person. Last night (Friday) I watched Schindler's List and tonight (Saturday) I watched Dances with Wolves. (I have the goal of watching all the movies nominated for Best Picture from 1990 to the present.) Now Schindler is 195minutes and Wolves is 224minutes. As I mentioned before, if you're going to stray so far outside your genres' typical time length, it better be for good reason. In my humble opinion, both films probably could have been shortened a bit although Schindler held my attention the entire time. The beautifully shot film kept me engaged the whole 3+ hours even when there wasn't a ton of dialogue. Wolves on the other hand, (granted I watched the director's cut on accident (although to my credit, the box didn't really make it clear that it was a longer cut)) could have used some definite reductions. Buffalo and Costner can only fill so much time.

It almost seems that if you made a movie over three hours long in the early 90's, your chances of nabbing a Best Pic award quadrupled. Maybe it was a different time or something (all 15 years ago...). You know how in the 60's and 70's, band's singles were often around 2 1/2 minutes (look at the Beatles' 1 album), where as now, you can get a 5+ minute song on the air? Anyways, it seems like a long time to be sitting in a movie theatre. Why, film editors/makers, can't you make a film that doesn't overtake an entire evening? I'm not just saying this for my own gratification. I really think that the correct time length (both long or short) is key in keeping the audience engaged and really, at making a good film. I'm glad films have shortened slightly.

That is my rant.

Sunday, June 15, 2008

Donald

Don Miller (along with others) is riding his bike across the US. He's doing it to help raise awareness for Jars of Clay's project, Blood:Water. You can donate here if you'd like.

Here's a vid:

Monday, June 9, 2008

Shakespeare in Love

OK, this blog is only a rant.

How the heck did Shakespeare in Love win best picture? It was a slightly above average chick flick with a lot of good actors who, I thought, were acting in a sub-par movie? So I liked the cast... except for the character who played William Shakespeare (Joseph Fiennes). If you're not familiar with him (and why would you be unless you've seen this movie?), here's his mug:


He's your stereotypical late-90's movie star. Like Freddie Prinze Jr.:


I understand that it knowingly muddied up historical facts and in turn, tried to create a romantic movie that "has heart" or something. But it really just came off as a slightly better made yet unfunny A Knight's Tale. How the academy chose this movie over Life is Beautiful or Saving Private Ryan (which I didn't even like nearly as much as everyone else seems to) stumps me.

Oh, Judi Dench is over rated.
And Ben Affleck is in it.

Friday, June 6, 2008

Back in Action: Inside Out

I told myself that this summer I would watch a bunch of movies and read a ton of books and then write reviews or quasi-essays on favorites because that's something I like to do and it felt more constructive than simply selling hot dogs. It's safe to say I've watched a lot of movies (16) and read a lot of books (4) so far in the summer but I've done a poor job of really projecting my thoughts concerning them. I've journaled a lot but my journal is often incomplete thoughts where as a blog forces me to at least make sense out of a sentence. That's where I am currently.Movie: Adaptation

As of right now, I believe this to be my favorite movie of the summer. Why? Mainly due to it's fantastic twisted plot line. And I don't use the term "twisted" in a demented, serial killer way. More like a "this story is so crazy and the writer created so many levels of reality that I don't know what to do with myself" type of way. Charlie (and his fictitious brother, Donald) Kaufman wrote this movie. (Charlie also wrote Being John Malkovich and Eternal Sunshine of the Spotless Mind, if that gives you an idea of the style.)

In a nutshell, the movie is about Charlie Kaufman (played by Nicholas Cage) and his twin brother Donald (also Nicholas Cage) and Charlie has to write a script based off a book called The Orchid Thief (who's author is played by Meryl Streep). The book, The Orchid Thief, is about a man in Florida who hunts down endangered flowers and steals them (this character played by Chris Cooper).

Now the script is based off of real events in Charlie's life (with some events exaggerated) but what I love about the movie is Charlie's conflict on how to write this script. And how it actually reflects the real Charlie Kaufman's conflict of how to write this script. I know, confusing ... but that's kind of what I enjoyed about the movie.

Part of the conflict Charlie goes through is the use of cliched material versus the striving after truly original ideas. Example: Charlie has a twin in the movie, Donald. This Donald (who, in real life, isn't real but is credited to co-writing the actual script ... and got an Oscar nom) wants to get into the screen writing business and tries to write a script but uses tired out ideas which the character, Charlie, tears to pieces. One of the ideas Donald has is of a serial killer who has a multiple personality disorder and in the end, the audience realizes he is the serial killer, the cop, and the victim. Cliche and over the top, no doubt. Watching Adaptation, you're suppose to look down on this overused trick with a superior air.

But, the real Charlie does this with himself by adding a character twin in the movie that has all of these old ideas that make money but the character Charlie wants to maintain artistic integrity. Thus, real Charlie displays his conflict over trying to write a screenplay that maintains artistic originality while connecting to the audience at the same time - and gets there by using an overused method. But he's self-referential about it. He mocks the device and yet uses it in his movie. Which in the end, makes me love how he used the overused device (really, he made it original ... sort of) and love Charlie Kaufman.

That's all I'm going to write. Nicholas Cage gave a surprisingly good performance. Chris Cooper won an Oscar for his role. And Meryl Streep is her usual self (I'm annoyed by her despite her great acting).

I just wanted to write out a little bit on this movie. And I did that. I feel satisfied. Watch the movie if you're bored or like creative scripts.

Sunday, May 18, 2008

consumption I possible digestion

january-[mid]may, 2008
favorites* italicized
*
favorites = objective meets subjective


books
the cost of discipleship .. dietrich bonhoeffer
don quijote .. miguel de cervantes
is the new testament reliable .. paul barnett
joseph andrews .. henry fielding
but don't all religions lead to God? .. michael green
northanger abbey .. jane austen
madame bovary .. gustave flaubert
making sense out of suffering .. peter kreeft
crime and punishment .. fyodor dostoevsky
a meaningful world .. benjamin wiker & jonathan witt
life together .. dietrich bonhoeffer
to the lighthouse .. virginia woolf
god's grace and the homosexual next door .. alan chambers
the crying of lot 49 .. thomas pynchon
white noise .. don delillo
real sex .. lauren winner


movies
eastern promises
atonement
green street hooligans
the diving bell and the butterfly
the big lebowski
the godfather
i'm not there
the scanner darkly
no country for old men
paris, je t'aime
there will be blood
michael clayton
barcelona
edward scissorhands
rescue dawn
dr. strangelove
gone baby gone
the squid and the whale
sunshine
last days
the darjeeling limited
into the wild
l.a. confidential
enchanted
bee movie
night at the museum
the assasination of jesse james by the cowardly robert ford
the talented mr. ripley
300
rocket science
the savages
expelled
dan in real life
lars and the real girl
shaun of the dead
iron man
the kite runner
charlie wilson's war