In the last fifteen years or so, the antihero has seen a rise in popularity. Tony Soprano and Walter White led the charge and it's more or less a standard these days. A lead protagonist has always needed a chink in their armor, but they've typically held the moral high ground within the confines of the movie/book/series. Bryan Mills (Liam Neeson) can leave a wake of dead bad guys in pursuit of rescuing his daughter in Taken despite his (very) questionable methods. Jason Bourne (Matt Damon) can cause loads of destruction but he's hell-bent on discovering the truth and holding the CIA and American government accountable for their actions and thus justified in his actions. So the hero is still very much alive. But there's just as many Dexters (Dexter, Michael C. Hall), Don Drapers (Mad Men, Jon Hamm), and Nucky Thompsons (Boardwalk Empire, Steve Buscemi) to fill out the antihero column where, ultimately, they have immoral and objectionable aspirations or methods despite often times having the audience's sympathies.
Call it gender equality or just the natural progression of themes within popular media, but I've seen a number of examples of the antihero-marriage over the last five years. The most obvious comparison to Fates and Furies would be the 2012 novel and 2014 movie Gone Girl. In both books, both partners are equally responsible for betraying and harming the other yet find a strange, demented form of equilibrium in order to move forward in the relationship. These stories are primarily about the marriages themselves though certainly contain their fair share of crimes, manipulation, and mystery to magnify the emotional love and hate the partners have for each other.
|Gone Girl's Amy and Nick Dunne|
|The Americans' Philip and Elizabeth Jennings|
|House of Cards' Frank and Claire Underwood|