A little about the festival:
Three stages, shows from noon-11pm (Sept. 21st), a ton of booths and food vendors, and random things like Waterfall Swings, heart-shaped foam machines, and free suckers.
Oh, the only artist we wanted to see but didn't get to was Robin Thicke. Mainly because it was raining and that stage had zero shelter.
I could go on for a while so I'll just give a couple thoughts on each band.
This new group from NYC started the day off with a lot of energy. Poppy, an electronic bent, and some great hooks. The lead singer was intent on making sure the crowd was 100% into the show, demanding "hands in the air" about four or five times throughout the show. But the band was tight and put on a good opening show.
I've been grooving to Washed Out through the last few albums, loving the general vibe they set. Front runners of the chillwave genre, they know how create a mood. With that said, I wasn't sure what the live show would look like, especially as it's a heavily produced album. I was happy to see a full band (drums, electric, acoustic, bass, synth, plus a number of mixing boards), a surprise considering many bands in their genre rely solely on prerecorded tracks. So, good vibe, people were excited to be there, and they weren't quite as pretentious looking as I would have expected them to.
Perhaps one of the most hyped bands of the year, I've been trying to avoid liking this band. But they've got something about them that just sticks with you. We missed the start of this set but, what we saw of it, they sounded great. They relied primarily on tracks and synth (not a favorite of mine) but they had a lot of charm and their vocals were on point. Also, the crowd was eating it up.
I only know this Swedish band through their radio single, I Love It, a sugary, easy-to-forget summer hit. To be honest, their live show felt about the same. Two female vocalists, occasionally playing an instrument here and there. They sounded decent but primarily came across as a parody of a European pop group.
City and Colour
Shortly before the festival, I checked out City and Colour's album on Spotify and was loving the lead singer's raspy, soulful lead vocals over the band's full sound. Their live set showcased this very well. With that said, their genre of music may not have the most energy for a live set. Very glad to see them. Note: this was the first of four shows we saw at the Pavilion Stage, never leaving our seats. Also, how great is this venue?
Hmm, how to describe MGMT's live show? They're holding strong to their acid-rock vibe, politely ignoring the success of their two or three hit, pop singles. They sounded good, backed by their trippy computer-generated insect-men type videos playing in the background. It was a sitting concert... except for Time to Pretend and Electric Feel.
The Avett Brothers
Wow, the total highlight of the day. These guys brought an hour and a half of energy and passion to the stage. They were so excited to be there, performing and doing what they love. While their recorded albums sound great, they come across as relaxed and soothing folk. Live, they sing with so much conviction and emotion that it's hard to even reconcile the two. The stand up bassists wouldn't let his instrument touch the ground for whole songs, due to so much energy. The next song, three of them would gather towards the center of the stage, slowly singing a folk-ballad of theirs. They could have gone all night and I would have been entertained.
Modern Vampires of the City is my front runner for best album of the year. Although Jorjette and I have seen Vampire Weekend live before, I was psyched to catch their new material performed. I wasn't disappointed with how great they sounded live. And they hit all my faves off their new album: Diane Young, Step, Ya Hey, etc. For that, I was thrilled. Besides that, following The Avett Brothers is difficult. VW are masters of producing incredible sounds in the studio, yet performing their smart, preppy, world-music influenced rock with a lot of energy doesn't seem to be their top priority. I will say, since seeing them last, the crowd-response has become much more enthusiastic. Note: this is the fourth show we saw in the Pavilion Stage, a solid six hours without food/bathroom - we're diehards.