Pictures: A Weekend in Review

Well I don't usually write "update blogs" but I'm more than sufficiently bored and I like the idea of a picture blog detailing the second half of my week.

First of all, Jorjette came to visit (Wednesday-Sunday):

We hadn't seen each other in almost two months so it was nice to have 3 1/2 days to do whatever we pleased. We decided to go to my subdivision's fantastic beach. Besides getting burnt (by the sun) and bitten (by gross lake-bugs), it was a true beach experience.

Later that night, we watched Shutter Island.

Although Jorjie fell asleep, I was spellbound for the first hour and a half. Scorsese is a master/genius movie maker. Although the plot line felt a little tired (especially as things progressed), the way the movie was crafted made the experience (and $1 at Redbox) totally worth it.

On Friday night, Jorjette and I made a little trip to Ann Arbor (our usual hang out spot) and made our first trip to State Theater for the movie The Secret in Their Eyes.

Turned out to be a fantastic little Argentinian thriller/romance/drama/thinker. Thoughts were provoked... and I think that's why indie/foreign movies should be made.

Saturday held my little brother's graduation.

I was impressed with a couple things. Namely: the quantity of beach balls students are able to sneak in, one of the valedictorian's fiddle skills, the elected speaker/teacher's vocal similarities to the Simpson's Mr. Burns, the fact that Green Day is still being played at graduations, and the lack of preparation on the student body president's part while simultaneously able to entertain a few thousand people.

Later that day, the USA's World Cup journey began.

Thank-you Mr. Green. We owe you one.

And today, I finally had a chance to return to Hope Community Church.

While I usually have an internal debate on whether or not to make the trip into Detroit for the Sunday morning service, I always come away encouraged that the body of Christ is alive.

That's my weekend. Oh, listen to this song by The Drums. It served as our melodramatic theme song.

Zeitoun; a few words

I just finished Dave Eggers' latest piece of nonfiction, Zeitoun. I thought the book deserved more than my standard Facebook-notification of recommendation.

The book gives an account of New Orleans residents Abdulrahman and Kathy Zeitoun as they experienced the events of Hurricane Katrina. The Zeitouns are devout Muslims, have four children, and are respected contractors in the New Orleans community.

Throughout the first third of the book, I quickly bonded to the Zeitoun family while also forming a connection to the city of New Orleans and the Syrian culture from which Zeitoun came. Written in a chronological, journalistic nature, the impending natural disaster creates a certain "impending doom" that is hard to ignore but once the brunt of the hurricane comes and goes, the crux of the book arrives and gave me a picture of post-hurricane New Orleans and all the mayhem that came with it. While most of the book's criticism of the country's reaction is told in a pure story format, the following quote nicely sums up much of the book's thesis:

This country was not unique. This country was fallible. Mistakes were being made. He was a mistake. In the grand scheme of the country's blind, grasping fight against threats seen and unseen, there would be mistakes made. Innocents would be suspected. Innocents would be imprisoned.

A quick note on the author, Dave Eggers. Although certain friends of mine (cough*Goodrich*cough) have a distaste for Eggers' popular book, A Heartbreaking Work Of Staggering Genius, calling Eggers a "narcissistic tool" who thinks that he is "...so special and no one gets it," I have enjoyed his writing. While writing some decent memoir-ish stuff, he has also written a good amount of social justice related books (most notably, What Is The What), with profits usually going directly towards charities involved with the subject at hand. He has also started a writing and tutoring center in his hometown of San Francisco and been involved in similar operations around the country. Basically, it's nice to see a talented, successful author use his craft to highlight more substantive issues (read: not narcissistic).

Spring Intake

What follows are the movies, television shows, and books I've been consuming this spring, hopefully to the betterment of my overall self. I watched a lot more television this spring than I have at any other time. I once heard it described that the 'television show is to the movie' as the 'novel is to the short story.' I've found this to be true and have learned to enjoy the meta-narratives present in television shows such as Dexter, The Sopranos, and Mad Men. As far as literal literature goes, I finished a couple of elongated classics (The Brothers Karamazov & Augustine's Confessions) while also experiencing some fresh, current voices as well (Dave Eggers, Chuck Paluhniuk, Reif Larsen). It's been a good time as far as media goes and I look forward to enjoying a few more months of peace before the fury of grad school hits this fall.

movies/television mad men [season 3], dexter [season 4], food, inc., sugar, youth in revolt, the sopranos [season 1], moon, the hurt locker, star trek, avatar, the sopranos [season 2], scrubs [season 1], an education, the sopranos [season 3], crazy heart, paranormal activity, scrubs [season 2], the road, scrubs [season 3], a serious man, scrubs [season 4], gomorrah, pushing daisies [season 1], alice in wonderland, scrubs [season 5], the informant, sorority row, the blind side, precious, how to train your dragon, doctor zhivago, scrubs [season 6], scrubs [season 7], the brothers bloom, in the loop, pushing daisies [season 2], the sopranos [season 4], scrubs [season 8], community [season 1], the office [season 6], 30 rock [season 4], sherlock holmes, bored to death [season 1], lost [season 6], 24 [season 8]

books pilgrim at tinker creek .. annie dillard, the selected works of t.s. spivet .. reif larsen, not for sale .. david batstone, the brothers karamazov .. fyodor dostoevsky, suite francais .. irene nemirovsky, confessions .. st. augustine, the moon is down .. john steinbeck, choke .. chuck paluhniuk, survivor .. chuck paluhniuk, the wild things .. dave eggers

Summer Music

The mention of summer can elicit a number of feelings. For some, it can simply mean a break from always using your brain. For others, it can mean riding around in the car with the windows down and sunglasses on. And for still others, especially those in post-college days, it can simply mean a few warmer months and a couple of pool parties.

Whatever the case, a new season, especially one as distinct as summer, deserves some music recommendations. While every season has it's unique characteristics with appropriate music accompaniment (i.e. winter's isolated feeling coupled with Bon Iver's For Emma, Forever Ago), summer can best be described by it's 'who-cares?' attitude coupled with music that is catchy and easy to sing along to. While Jack Johnson or Bob Marley may provide some classic examples of this 'genre' of music, I'd like to make three suggestions on recent albums releases.

First up, Vampire Weekend rules the summer. A couple years ago they stormed onto the music scene with their simple pop melodies and afro-beat sounds backed by their ivy league lyrical references/persona. A few months back, they released a stellar sophomore album, Contra, that is as carefree and catchy as the first album while adding a few more electronica touches. And Cousins may be my favorite song of theirs:

Next, the Brooklyn based band, Sleigh Bells, just released their first album, Treats, a couple weeks ago. They are crazy. They are also crazy catchy and perfect for listening to really loud in your car. Their song Rill Rill creates such a great vibe:

And finally, Surfer Blood is a band based out of West Palm Beach, Florida and comprised of some young, college guys. Naturally, living on the beach and being 20 is going to give you some "summer music" cred and when you add in their infectious vocals and guitar hooks, you get their perfect summer album, Astro Coast. Here's their single, Swim:

Alright, so there you have some of my summer picks. Any comments on your favorite current summer album or classic all-time favorite?

Happy summer and happy listening.

AROUND THE WORLD wide web: PART TWO

About a month and a half ago, I began a series called AROUND THE WORLD, click here for a fuller explanation of what it is.

After a weekend in Albuquerque, New Mexico for Matt and Jess's wedding (congrats!), I now have enough info to fill an AROUND THE WORLD blog (or at least an "around the country" posting). Here's what's going on:

• Paste Magazine's chief editor, Josh Jackson, writes on the central characters of 24 and Dexter (as well as on the character of our centers).
• Twitterers worth following: fake tips for proper writing, inside Christian jokes, the guy that created Freaks & Geeks.
• Best online comic strip? (beware: occasionally R-rated)
• Tony and Peggy Campolo talk about their various opinions of homosexuals in the church.
• 10 new songs (often times awesome remixes), 5 times a week, free downloads, and free music advice.

Local Natives (w/Suckers): A Concert Review

Percussion and vocals.

These are two things that can turn a concert from enjoyable to transcendent. While listening to NPR's All Songs Considered (NPR's music podcast) coverage of the recent South by Southwest music festival in Austin, Texas, I noticed that they kept commenting on how this year's festival was really strong due to these two elements. So I'm going to agree with NPR (like any good, young progressive should and would) and reiterate that great percussion and vocals make for a great concert.

With that said, Kenan and I (above) attended a Local Natives concert at the Blind Pig in Ann Arbor on Monday night. Luckily, great percussion and vocals were present as well.

The opening band were the Brooklynites, Suckers. I didn't bother checking out their music beforehand but these guys put on a really great opening act. Their set included a lot of energy and their lead vocalist (while reminding me of little of Jack Black) had a lot of character to his voice. I was also impressed by how multi-instrumental these guys were (as were Local Natives). There were times when the lead singer was strumming his guitar, banging a drum, and alternately whistling and singing, all at the same time. And everyone in the band did this to some degree or another. All this to say, they were really fun and their music, while foreign to just about everyone in the crowd, was very engaging.

Now onto Local Natives. After multiple recommendations of this band, I finally checked them out a couple weeks ago and, after a couple listens, I was hooked. Amidst other admirable attributes, they have great harmonies that beckon the listener to sing along, forcing me to fall in love with them. I also saw that they were playing the Blind Pig and my brother had been a mega-fan of their song, Airplanes since MySpace was cool/used, so we bought tickets to the show.

The show eventually sold out, making for a crowded standing area but which also made for a very energetic crowd. Going back to the opening line of this blog... this band knows how to sing. And not only that, they know how to get everyone in on the singing. The band had 4 of its 5 members mic'ed, adding to the group mentality of the vocals and they often had at least two members singing, even during the verses. This also encouraged the enthusiastic crowd to sing along with all of the choruses. The following is the shaky (I had to groove!) video of their crowd favorite, Airplanes:

I'm a sucker for great drums as well. So when I see that a band has a drummer plus someone else on another drum/cymbal, I know there's going to be some great beats. And I was certainly satisfied with the percussion the Local Natives provided. They often just went to town on the drums and this, coupled with the vocals, made for some incredible moments. The drum solo later on in the song Who Knows, Who Cares is one of my favorite moments on the album and, although I don't think I caught it on tape, here's part of that song:

The band played all the songs I was hoping for (not surprising considering they only have one album) but it was a good length of a concert. They repositioned themselves for a few songs in the middle (showcasing their ability to play any instrument), slowing it down a little bit, only to pick it up at the end with the song above and then an encore performance of Sun Hands.

OK, enough of my blabbing about my concert going experience. My final verdict: if at all possible, see this band live.

Relevant Confessions

I've been reading through St. Augustine's Confessions for the last year or so. It's been a slow read due to it's brainy nature but every once in a while there'll be a passage like the following that will give me reason to pause. So here's ol' Gus, giving relevant commentary on the relationship scripture has with truth:

When, therefore, someone says, ‘Moses meant what I understand by this passage,’ and someone else says, ‘No, he meant what I understand by it,’ I think I show more proper caution in saying: Why not both, if both are true? And if someone sees a third meaning in these words, or a fourth, or any truth at all, why should we not believe that Moses, through whom the one God tempered the Holy Scriptures to the minds of the many readers who would see various truths in them, himself saw them all? For my part, I am bold to avow that my own attitude is thus: if I were to write something of Scriptural authority, I would rather write in such a way that whatever truth one could comprehend about those matters, it would be echoed in my words, rather than write one true opinion so plainly as to exclude other opinions whose falsity could not offend me. I am reluctant, therefore, my God, to rush into believing that Moses did not receive a similar gift from you. In writing these words, Moses perceived and considered every truth that we have been able to find in them and every truth we have not been able to find, or have not yet been able to find but which nevertheless can be found in them.

The Antlers: A Concert Review

In opposition to college, this year has been a slow year as far as concerts go. Not that there's been a shortage of them, it's just that I don't have a boat-load of scenester friends to encourage me to hit up the latest shows. So while I was debating whether or not to go to The Antlers concert last night, I had two options: I could go to the concert alone and count it as a low-point in my post-college, post-friend life, OR, I could go to the concert alone and count it as a celebration of my independence. I guess I'll go with the latter.

The Antlers are an indie band from Brooklyn, New York (which is where just about every indie band is from nowadays). They put out an album last year titled, Hospice. It's sort of a "sad elegy for a dying friend" type of an album that critics eat up. The album commonly has moments of naked emotion that are often coupled with the lead singer's wanderings into falsetto-land. The album also has quite a few moments of just noise. Enough so that it really annoyed me while listening to the album, but!, I kept coming back to it largely due to some of the more melodic songs (i.e. Two). I really wanted to go to the concert in order to make some sort of final verdict on the band.

The concert was held at Ann Arbor's The Blind Pig, a venue I had previously never been to before. It has a cool bar/small concert feel to it and, according to their website, was Nirvana's favorite venue at which to play... so that's kind of awesome. Anyhow, a band called Phantogram opened. Comprised of a male/female duo on guitar/synth (respectively), the band used pre-recorded drum loops, a lot of reverb on their vocals, and a strobe light to create some pretty stellar dance-ish music. My life wasn't changed or anything but they had a cool sound that, after their final request before their final song, had the crowd dancing. Here's a short video:

Next up, The Antlers came on stage. They only have the one full length album and an earlier ep so I was familiar with just about all of the music they played (which is always nice). Overall, they put on a good show, transitioning from bare vocals to loud noise rather well. The emotive feeling their music evokes translated well to a live performance. Unfortunately, their drumming was a bit choppy and they commonly played their songs just a little bit different from their album. For one, they never pulled out an acoustic guitar (sorely missed on their single, Two). Secondly, they have some great synth interlude parts to their songs that they just didn't hit as solidly as they could have. Both of these things hurt the performance in my view as they didn't achieve the range of sound the album covers. With my grievances expressed, I do think they put on a good performance.

Here's an acoustic-free, Two:

After they finished their set, they left the stage for about 30 seconds, then came back on for the encore (I hate when bands leave for a long time... as if they're not coming back). They played two more songs, the first of which was a cover of The xx's VCR, a song I really love so I was pretty excited about that and forgave them for any misgivings I had with their performance. (The (crappy) video is below.) So they finished on a high note and overall, it was a good Friday night. Check them out if they come around your part of town.

AROUND THE WORLD wide web: PART ONE

I'm not sure how well known the website, Burnside Writers Collective (BWC), is, but every so often (once a week?) they have a posting entitled Across the Universe where the author gives four or five links to interesting happenings on the internet. It's a great resource to find new corners of the web or fresh perspectives on popular topics. I suppose they could simply Twitter links every couple days but I just love how they're all grouped together in some sort of megaTweet of substantive information.

Anyways, I'm copying their idea and giving mine a snappy title: AROUND THE WORLD wide web.

Without any further ado, check out what's hip on the internets:

• Sufjan Steven directed and scored a film about New York's ugliest highway, The BQE. It released last fall but Pitchfork has the entire film streaming for the next week. I've loved the music for a few months now and the visual side (which I'm watching now) is equally beautiful.
• A great blog entry (stolen from BWC's Across the Universe) on appropriate responses to art.
• I don't pretend to know anything about fashion, etc. but The Sartorialist is one of my favorite GoogleReader followings. Just stylish people shot in the "real" world.
• March Madness has been madness. I thoroughly enjoyed filling out and following my own brackets. Here's Obama's picks.

Music Christians Love

Author's Note: When I run out of things to blog, I usually resort to forming some sort of list in some sort of imaginary category. Deal.

By now, many (/most) Evangelical Christians in the U.S. are unafraid to own "secular*" music. For a while there (I'm guessing: 1985-2005ish), it was kind of taboo to show up to church with Alanis Morissette or Nirvana blaring from your car's heathen-turned-radio. Maybe this wasn't everyone's experience, but I went through a couple "secular" music purgings in order to be sanctified from everything-not-Audio-Adrenaline.

Thankfully, many thinking Christians started to recognize that good music could exist outside of the Contemporary Christian Music market, and that music just might have some sort of spiritually redemptive qualities to it. But I won't digress any more on how I'm glad that many have started to identify truth in every area of culture (that blog has already been written).

What I really want to blog about is those "secular" artists that are Christians' favorites. Those bands or artists that, despite our demonization-through-music fear, keep us listening. Heck, it is even popular to listen to these bands even though they may not have said the sinner's prayer and subsequently signed onto Sparrow Records. Although the "secular" music stigma has diminished, these artists have and still top our iTunes play counts. Without any further adieu, here are three artists, reason why they're popular among Christians, and a personal sighting of their music in a church setting:

Artist: U2

Why: Every Christian who is a music fan loves U2. Their lyrics are often deeply spiritual and their music is top-notch. I mean, they created Joshua Tree. Even though Bono subscribes to some interfaith-ish beliefs, he's the world's largest rock star / social activist and thus, respectable.

Sighting: "Where The Streets Have No Name" in a mission trip slideshow at my old church, BCC.

Artist: Bob Dylan

Why: Well, he sort of became a Christian later on in life so this choice is kind of cheating. He's never, thankfully, been on a Christian label, though. But Dylan's beat-poet lyrics are loved by progressive Christians all across the land simply because he's probably the best lyricist alive today.

Sighting: Unknowingly sang one of his songs in my Indy church, Redeemer, as part of their liturgical service.

Artist: Coldplay

Why: Chris Martin has one of the smoothest, crooning voices. The only people that dislike Coldplay are music elitists bent on hating anything overly popular. And this is why Christians love Coldplay. Because everyone loves Coldplay. Their music is anything but raucous and their lyrics aren't even slightly offensive.

Sighting: Saddleback college group sang "Fix You" as one of their openers.

As usual, I would love to hear your input on the ridiculousness of this blog and/or suggestions for other artists to add to the list.

*I put the word "secular" in quotes because, really, it's rather absurd to label music as "Christian" or "not Christian." I only continue to use the word "secular" in order to differentiate it from music made on Christian music labels.